The first part of the digipak I designed was the front cover. I initially took a picture of a sunset, however I then changed the filter to black and white to create the idea of a storm. I adjusted the brightness and contrast so the lighting was low, therefore connoting a sense of mystery.
I then took a picture of a camera, and used the magnetic lasso tool to crop the background out, and position the camera onto the background. I then adjusted the brightness and contrast so the camera would blend well into the background. I also added a motion blur filter to create a sense of uneasiness, reflecting the tone of the album.
When putting the artist name and album name onto the front cover, I decided to use the font of Bernard Condensed, which is plain and subtle- a feature which has commonly been used on existing Indie/ Rock music albums I have researched. The font is small, therefore allowing the photography to be the first feature the audience would spot. The idea of a camera over a stormy background is entropic, therefore this would intrigue the target audience into buying the album.
The spines of the album are subtle and simple. I have used a black background colour for the font to be placed on, therefore maintaining the monochrome colour scheme of the digipak. The font is the same as on the front cover, making the product coherent.
The back cover background photography is the same as the front, as I felt this would be extremely consistent and the two sides would fit well together.
The track list on the back is positioned in the centre, which is stereotypical of other albums of the same genre. I have used a slightly different font in order to create a variety, however I felt too much differentiation would affect the continuity, therefore it is rather similar. I have kept the font in white, again, to maintain the monochrome/ black and white filter to the album as a whole.
I have included extra features on the back cover which are on existing products I have researched. This includes the barcode, which I have positioned on the bottom right of the back cover (common on music albums). I have also included trademark logos, a website to the band, and copyright information to make the album seem realistic to the target audience.
For the design to my CD, I decided to use a plain and simple design, and abbreviated the album name to place onto the CD. I used the same font (Bernard Condensed) and the same colour scheme (black and white) to maintain continuity, and the simplicity of the design ties in well with the genre of music.
Next, I designed the inside pocket for the lyric booklet. I thought to crop some of the background used for the front and back cover of the CD would look quite cool if I were to position it on the booklet, and would be consistent with the product as a whole.
The lyric booklet (which I have designed separately) will position into the digipak as above. To show this, I have cropped part of the A4 lyric page I have designed, and placed it underneath the pocket on Photoshop. The fonts I have used are similar to the rest within the digipak.
There are two remaining sides to the album, which I thought I would include photography of the main artist. For this, I captured a medium close up image. I then cropped out the background, and positioned the actor onto a plain black background. I then adjusted the colour levels to create a slightly grainy effect, connoting the idea of a recording. I also adjusted the filter on the photograph, changing it to black and white to maintain the same colour scheme as the rest of the album.
Again, I used a picture of the main artist on the remaining side, however, one of the photographs shows him with his eyes open, the other with his eyes closed. This is because it creates that sense of giving up, as mentioned in the lyrics of the song. However, it also creates a mysterious, stalker/ creepy sense to the album- the actor emerging from the darkness